
About the Director
A vision from within
Alexander Granström is a Sweden-based sound designer and visual creative making his directorial and screenwriting debut with Stygian—a psychological horror film rooted in Nordic folklore, isolation, and quiet dread.
For Granström, horror is a deeply underestimated genre. “A well-made psychological horror film gets under your skin” he says. It’s this emotional intensity and thematic depth that inspired him to develop Stygian—a slow-burning, atmospheric descent into the blurred space between reality and delusion.
The film is based on a true story, and at its core lies something personal: an introverted character searching for meaning outside of ordinary life. “That search… it’s a part of me too,” Granström admits.
Stygian is currently in late pre-production, with principal photography planned for April 2026 in the forests outside Stockholm. As the sole writer, director, cinematographer, composer, and editor, Granström is building the film from the ground up—supported by a small team consisting of two brothers and a close friend. Every visual, every sound, every location has been chosen with intent.
“I’ve poured hundreds of hours into shaping the script and preparing for the campaign. There’s still work to do, but the foundation is there—I’m confident in the vision.” Alongside the creative work, he also manages production logistics: scouting, budgeting, and coordinating SFX, while developing the film’s look and feel through teaser edits, music sketches, and grading tests.
Still, he remains open to collaboration. “I’d love to find someone with technical experience to bounce ideas off. Even with all the prep, things can always go sideways on set—and having the right person there can make all the difference.”
Granström especially welcomes potential collaborators in key roles such as lighting and gaffing, where experience can significantly affect both efficiency and atmosphere. “I’m confident in framing, editing, and composition—but light is everything in horror. Working in remote natural environments is a challenge, and if the right person crosses my path, I’d gladly hand that part over.”
For him, it’s not just about skill—it’s about trust, chemistry, and shared creative taste.
“Experience matters most. But if we connect on a personal and artistic level, that’s when it really works.”

